Study by Marc Davis

Marc Davis drew this study of a young woman in a reflective mood when he was twenty-eight years old. The US had just entered WW II, and perhaps she is thinking about her boyfriend or husband, who was sent overseas as a soldier.
The context of that time and the overall mood tells me this kind of a story, but it's just a guess.
Walt Disney sure employed some remarkable artists like Marc, who helped to transcend early animation into the art form we know today.
I really like this drawing!

Robin Hood Scene III

Here is the final part of Milt's Robin Hood scene, in which the fox first acts out a proposal for Maid Marian, before admitting that "it just isn't done that way".

I don't know why Milt's timing charts are left out on these copies of his roughs.

Robin Hood Scene II

Here is part two of Milt Kahl's Robin Hood scene, which required many key drawings. Lots going on, there is a walk, and the acting is very lively. The more motion on the screen, the more drawings the animator needs to put in.

Part III to follow.

Brian Bedford

Tony award winning actor Brian Bedford, who provided the voice for Disney's Robin Hood has died.
Bedford was a classical Tony award winning actor, who performed on stages in the UK, the US and Canada. His film roles include The Grand Prix, 1966, and Nixon, 1995.
A few years ago, during an interview, he admitted that to audiences he is mostly known for Robin Hood.
Milt Kahl, who struggled with the design for the character, nevertheless liked the debonair quality in Bedford's voice. (The studio originally had cast Tommy Steele for the part, but for some reason it didn't work out.)
Someone tweeted today about Robin Hood: The only cartoon character many people admit to having a crush on.
I so wished Milt was still alive to comment on this phenomenon. I can hear his boisterous laugh.
But when you think of it, what an achievement...

This scene shows an early, long nosed version of the character. Only a few scenes like this one were re-drawn and altered to represent a shorter nosed fox. But as usual, Milt's strive for superior graphic design is incredible. The way paws function as hands, the feeling for loose fabric and the ability to draw the head from any angle beautifully.
This is part one of a long scene. Robin is reacting to a comment from Little John: Why don't you stop moaning and moping around...just marry the girl!
His response in this scene:
Marry her? You just don't walk up to a girl, hand her a bouquet and say: Hey, remember me, we were kids together, will you marry me? No...it just isn't done that way.

I'll post the rest of the scene if you are interested.

Here are some of Milt's thumbnail sketches in preparation for the scene

If you'd like to see Milt talk about Robin Hood, go to this previous post, which includes a strange interview.

http://andreasdeja.blogspot.com/2012/11/milt-kahl-talks-robin-hood.html