The last time I posted some of my early Yzma designs was in 2011. I had a blast exploring the possibilities for this character. I was trying...

After seeing a few of my first pass Lilo rough animation drawings online, someone asked me, why some of them look clean while others are dra...

I love Joe Rinaldi's story sketches.  Much like his colleague Bill Peet, on top of his superb storytelling he worked out camera angles, ...

By now most of you probably heard about AnimAID, an Animation Art Auction through Sotheby's whose proceeds will go directly to members o...

At Disney each time animators started exploring a new character assignment, it became very useful to do some research on the character's...

I was thrilled last week to be given the opportunity to revisit Disney's original Xerox "machine" in the old Ink & Paint D...

When the film  Sleeping Beauty followed Lady and the Tramp in 1959, audiences were in for a surprise. All of a sudden the styling, for bot...

Some of you might not be aware that in 2019 Disney published a two book edition called: Marc Davis In His Own Words: Imagineering the Disney...

  Disney Feature Animation posted this amazing drawing a while back. It reminded me of what Milt Kahl told a young animator (not me) : ...

I just came across this group photo from a few years ago at the Academy. We had a great panel that night with artists and voice talents to c...

I recently found this low res photo online of Ollie Johnston as he is animating a scene with Johnny Appleseed. Behind him, pinned on a board...