Tuesday, March 10, 2015
101 Dalmatians Background Styling
If you think that creating backgrounds for Disney's 101 Dalmatians was a piece of cake compared to the preceding film Sleeping Beauty, think again. Sure, Eyvind Earl's renaissance styling is rich with sharp detail, but look at this layout from 101. Layout supervisors Don Griffith, Collin Campbell and Erni Nordli had their hands full, creating settings in accurate and finessed line drawings. It really was the layout department that took the brunt of the work to present meticulous backdrops for the animated characters. The background artists added simple washes of color, suggesting the overall mood of the scene in a sketchy way.
It's my guess that the layout folks were doing overtime, while the background artists took long lunches.
Below a screen grab from this gorgeous scene, just a truck in without characters.
I'm surprised that Jock from "Lady in the Tramp" was in this movie. Nice to see the sketchy backgrounds clean without characters.
ReplyDeleteI really like the look of the Disney films from this period. The graphic look of the sketchy layouts with Walt Peregoy's background styling really made a statement.
ReplyDeleteDisney background art is so impressive. Worthy of a gallery show!
ReplyDeleteDone. Dropped into my "inspiration" folder. Thanks Andreas :-)
ReplyDeleteRowland Hilder tree tops and Ronald Searle tree bark. Great stuff.
ReplyDeleteI've been obsessing about the style of the "Dalmatians" backrgrounds for over ayear now. I just ADORE it, especially the way it fits the look brought about by the XEROX process. I've written extensively about it in my blog, in occasion of the departure of Walt Peregoy, color stylist of the film. HEre's the article: http://downtheguts.blogspot.be/2015/02/rip-walt-peregoy.html
ReplyDeleteWhat sequence is this background from? The color styling looks like it's from the twilight bark, but the scene doesn't look familiar.
ReplyDeleteDalmatians is definitely in my top 3 for animated films. I've loved everything about it since I was a kid. Now as an artist I appreciate it in a whole new way.