A few posts back I wrote about the challenges some cel inkers and painters might have had when dealing with Milt Kahl scenes.
It was in fact Cherie Miller who gave me this bit of information. In this photo she is working on a Madame Medusa cel from a scene when Medusa threatens Snoops and Penny.
The character's lips were painted painstakingly on top of the cel while all other colors were added on the back as usual. You can see from the sketchy drawing that decisions had to be made as to where exactly a particular color area ends, against which line?
Here is the link to the previous post:
https://andreasdeja.blogspot.com/2025/01/painting-milt-kahl-cels.html
