Saturday, October 16, 2021

A Disney/ABBA Connection

 


First of all, let me tell you, not all is scary and bad in the world when we have a situation like this one appear out of nowhere. Did not see this coming, absolutely thrilled!!

I have never talked about this, so it's kind of an exclusive:  Sometime in the mid 1980s I suggested to Disney Animation's management to consider the guys from ABBA ( Benny Andersson and Bjorn Ulvaeus) to lend their musical genius for any upcoming Disney animated production. You know what? The studio DID get in touch with them. Unfortunately at that time the guys were busy with their brilliant theatrical musical CHESS, the West End as well as the Broadway production. Bad Timing. 

Don't get me wrong, I am super thrilled with what happened instead. Howard Ashman, Alan Menken, Elton John and Tim Rice. They all did brilliant work for our movies. Actually Tim Rice wrote the lyrics for the London West End version of CHESS. So there is another ABBA connection. 

I can't help but wonder if timing had been different, what musical treasures we could have had with ABBA songs in Disney animated films.

Then again....it's not too late to ask them now.


Tuesday, October 12, 2021

The Old Disney Guard and our Films

 


I think I mentioned before that I used to ask Disney's original animators about their opinion regarding animated films I was a part of. After you ask the question you kind of want to run for cover, in fear that harsh criticism would come your way. Still, I was curious. 

Here are a few recollections about what the "Old Guys" thought after having watched films from Disney's revival period. Milt Kahl enjoyed The Great Mouse Detective, he thought the film had a fresh approach in terms of storytelling and character development.

The Little Mermaid was pretty much liked by the old guard. The studio invited Frank and Ollie for a screening when the film was about half animated. At one time Frank interrupted with an excited voice: "Who did that one?" He was referring to a little reaction shot of Ariel. Somebody informed him that David Pacheco had animated this scene. When this got back to David he was on cloud nine of course...and probably still is.

Ken Anderson liked Beauty and the Beast very much. He said he couldn't think of a way to improve it. Chuck Jones also raved about the film, particularly Glen's animation of the Beast.

I don't remember specific reactions to Aladdin. I think Frank and Ollie had a few quibbles with the story, but nothing major. Marc Davis objected to the fact that Robin Williams was allowed to improvise his dialogue for the Genie. "We never had our voice actors ad-lib anything!" He thought that this type of dialogue would date the film in years to come. As for myself, I got two thumbs up for Jafar from Frank and Ollie.

The Lion King got a few "not so nice" reactions. Frank and Ollie disliked watching Mufasa's dead body after the stampede. "I think we handled the death of Bambi's mother better by not having her on screen after the gun shot." Frank commented. Marc Davis was displeased with the animation of the lions. "When we drew Bambi, you felt every bone in the deer's body, it was believable!" Our lions reminded him of the appearance of plush toys. 

I forgot one title, Who Framed Roger Rabbit. Frank and Ollie despised the concept of animated characters (Toons) being looked at as annoying, and being banned to a ghetto like Toontown. That concept went against their personal philosophy about animation. Ward Kimball thought that everything just moved too fast :"The only one character who held still and I could read was Betty Boop". Who was animated beautifully by Roger Chiasson.


Saturday, October 9, 2021

RIP Mom

 


This post is a little more personal than what I usually present here. I just returned from a quick trip to Germany in order to say Goodbye to my mother. Got there just in time, she passed away last Sunday morning at the age of 90. I loved my mother. She was affectionate and loving toward her children and grandchildren. She also had an uncanny sense of humor. The way she observed people and situations around her was utterly unique. We as a family would be rolling on the floor laughing based on her comments, but my mom had no idea where the humor was in what she just said. 

I drew this sketch of her and me (based on a vintage photo from around 1958) just before I moved to America. She kept it on a wall in her retirement home.

The last three years have been very difficult for my mom and for myself. I've lost both of my sisters, Regina and Christa to various cancers. (My dad died in 1997). 

So you find yourself alone in representing your family. Thank God for my awesome nieces, who also showed up at my mom's bedside. I am so proud of them, one is a top notch doctor at a Freiburg hospital, one is a teacher, and the youngest one is a social worker.

My mom was a devout catholic. A little prayer would be much appreciated.


Wednesday, September 29, 2021

Sullivant Original V


 SOLOMON'S ADVICE TO A YOUNG MAN ABOUT TO BE MARRIED

"The first hundred wives are the hardest."


This illustration appeared in LIFE magazine on January 19, 1922. Sullivant drew several cartoons referring to King Solomon and his many wives. This one measures 23 x 14".
With apologies regarding its outdated humor. But there is a lot to admire here, the composition, simplified anatomy among other things. 

Tuesday, September 28, 2021

Edgar, Madame and Hautecourt

These Milt Kahl sketches appear in my book on the Nine Old Men, but I wanted to post them here in hi/res. They are the kind of drawings you can look at and study for a while with a cup of coffee. 

As usual, you are looking at Milt's drawing perfection. Such beauty in...everything. The rhythm within the poses, the hands, the feel for the fabric of clothing and on and on. These are masterful sketches.







Saturday, September 25, 2021

Sketches of Penny

These beautiful, sensitive drawings are by Ollie Johnston. They predate animation, Ollie was exploring poses and attitudes that reveal Penny's personality. Already you see a sweetness and melancholy that define her character. And look at that light Ollie touch in the line work, so different than -let's say- Frank Thomas, Milt Kahl or Marc Davis. As Glen Keane said in the documentary Frank & Ollie, his pencil seems to be kissing the paper.
I realized that over the years I have posted quite a few times about this character. Turns out that I just have a lot of original material with Penny. 

Ollie is ALL emotion. He knew he didn't draw as well as Milt or Marc, but the fact that he felt for his characters so deeply makes his work stand out. 


 








Here are a few other previous posts on Penny:

https://andreasdeja.blogspot.com/2011/12/penny-and-rufus.html

https://andreasdeja.blogspot.com/2018/03/more-of-milts-penny.html

https://andreasdeja.blogspot.com/2017/12/developing-character-of-penny.html


Thursday, September 23, 2021

Lady & the Tramp Layout

I have always loved the inroduction scenes of Tramp. They start with a shot of the "other side of the tracks" as far as Lady's world is concerned. This gorgeous layout drawing depicts a kind of countryside setting. The final version shows the outskirts of a small midwestern town around 1909. 

Again...the artistic caliber at the Disney Studio is astonishing. From layout sketch to background painting to the character animation that follows. Admittedly, during the 1950s other studios were experimenting with more modern graphic styles. Disney had started to dabble in modernism with the terrific short film Toot, Whistle. Plunk and Boom from 1953. And a fresh graphic change would take shape at the studio starting with the release of Sleeping Beauty in 1959.

But you can't knock this old fashioned Norman Rockwell-like styling. At least I can't.