Thursday, July 24, 2014

Disney Tigers


Post #500:
Here is a look back at Tiger characters that were part of Disney films during Walt’s life.
As I mentioned before, tigers are not particularly popular characters to do in animation, because of the costly and time-consuming procedure of having to add all those stripes, 24 frames per second.
Nonetheless Disney didn’t shy away from this challenge whenever a story called for a tiger. 

Tillie Tiger was the female lead in the 1936 Silly Symphony Elmar Elephant. 
After being bullied by a bunch of animal kids, Elmar emerges as a hero when he helps save Tillie’s life during a fire. 
Ham Luske animated most of her scenes, a few of them were done by his assistant Ward Kimball. Beautiful innocent stuff!





The film Dumbo featured brief scenes of a tiger family, as they travel with the circus. I love their designs, cartoony, but based on the real animal.



The 1945 short Tiger Trouble introduced a hilarious tiger, who enjoys pestering his hunter Goofy.
Animation by Milt Kahl, Eric Larson and John Sibley.




In 1960 the studio tested the new xerox process on the short film Goliath II, in which a tiny elephant tries to avoid being eaten by a tiger.
Bill Peet storyboarded the project and also illustrated the story as a terrific childrens’ book.

John Lounsbery animated most of the footage with this tiger. 





For a brief moment Madame Mim turns herself into a tiger in an effort to defeat Merlin as a mouse.
I’ve always loved this design by Milt Kahl, animated by J. Lounsbery.

As you can see in this storyboard by Bill Peet, the early version of the character didn’t show any resemblance to Madame Mim yet. But what fantastic visual ideas for Merlin and Mim as they morph from one animal type into another.




A Disney character that needs no introduction



I mentioned before in a previous post that in preparation for Shere Khan Milt Kahl researched tiger movement and anatomy by studying footage from the 1964 Disney live action film A Tiger Walks.



This frame from the title sequence shows clearly what influence these scenes had on Milt’s animation of Shere Khan. The tiger’s front weight is clearly on his left leg, as the other leg swings through.
I’ve always admired how Shere Khan’s shoulders move up and down during a walk to show the shift of weight.




I am not exactly sure when Mushka, the tiger will reach the screen, but we’re working on it, and the project is surely coming along, in terms of story, music and styling.

6 comments:

  1. I'm counting the seconds for Mushka release Andreas!!!! Great post!!! As always!!!

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  2. Tigers do look like pure torture to animate. All those stripes. It makes me curious. What is the thought process of animators and artists when they start going into all the details after laying out the basic forms? Whenever I try to draw, despite building up something with spheres/cubes/etc, the part afterwards sometimes still comes off as flat, such as the lapel of a jacket or something. Do professionals think in wireframe or planes when they move on to that stage or is it all just intuitive after life drawing a whole lot?

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  3. I think the Shere Khan animation and acting is incredibly beautiful. The only one missing is Rajah!

    Is your film Mushka the first story you've made from top to bottom? I'm in a screenwriting class now, and I've realized that creating a new and interesting story is really difficult. What obstacles have you encountered? How have you overcome them?

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    1. Yes, Mushka is my first independent animated film.
      As far as creating a brand new story, I started out by giving some thought to what kind of characters and situations I would like to have included. Since storytelling is not my expertise, I turned to friends who helped me construct a meaningful storyline. Your project can really benefit from other people's great ideas. Animation is teamwork anyway.

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  4. Hi Andreas. I'm really exited about Mushka. I was wondering about a couple of technical issues.
    I love the 'sketchbook come to life'style you've chosen. Does this mean that every frame has to be drawn by hand or do you have a CAPS-like system at your disposal?
    Are you the sole animator on this, because that seems like a Herculean task, even for a short movie. (Especially if every frame is hand drawn).

    Anyway, keep up the good work and your always interesting blog-posts... Thanks.

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    1. Hey Evert, yeah, this whole film will be hand drawn, every frame.
      Of course I won't be able to animate every scene, I'll reach out to animators, layout artists and assistants as the production will need help. Wrapping up story...so far, so god.

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