I just want to share these recent Heinrich Kley online discoveries.
Above, Bacchus' parade. Beautiful subtle color treatment and gorgeous line work.
A tribut to hangovers.
The next one is a muddle of creatures interacting. I wouldn't be surprised to find out that Kley started drawing on one corner of the sheet, not knowing what the final assembly or of characters and composition might end up looking like.
A study of industrial machinery, perhaps commissioned by the German company Krupp.
Kley was extraordinary at depicting everything from landscape watercolors, cityscapes, to fantastical beasts interplaying.
I am astonished to still find never before seen Kley artwork every year. To say that Kley was prolific is an understatement.
This is very nice!
ReplyDeleteNot very long ago, I’ve rewatched the end credits of Disney’s Home on the Range (which just turned 15 years old) and I’ve noticed that you were one of the animators who animated the villain, Alameda Slim. What scenes did you animate Slim in?
ReplyDeleteYou know...I honestly don't remember. I came on to the film very late to animate some story changes.
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