A handsome article from Sketches Magazine, spring 1994.
Its readership consisted mostly of Disney fans, so the information is basic. But the article does make the point that even though most people believe there is ONE Disney style, beautiful artistic variations can be pointed at from films through the decades.
From early cozy looking watercolors to the gritty, almost avant garde style for 101 Dalmatians.
And yes, I do believe that Aladdin fits right in with these masterpieces of stage sets for the characters.
I remember when I saw the first finished backgrounds for Aladdin, we had just started production animation. I couldn't believe my eyes. It seemed like the studio had hired back Claude Coats, Bill Layne, Al Dempster and all the other old-timers. Aladdin represented a huge artistic leap forward for my generation of animated film makers.
And then there was Eric Goldberg's spectacular animation of the Genie....I knew then that this film was going to be extraordinary!!!