Showing posts sorted by relevance for query caricature. Sort by date Show all posts
Showing posts sorted by relevance for query caricature. Sort by date Show all posts

Sunday, September 16, 2012

TS Sullivant 5


Time again for a good dose of Sullivant inspiration.
As I said before, I can't get enough of his work. He surprises you with everything he puts on paper.
He still stands alone as the master of animal caricature and people as well. Thoroughly based on realistic observation, Sullivant's stylization and caricature to this day is groundbreaking and unmatched.
His outrageous sense for proportions is always very animal specific and appealing.
I'd love to see a documentary about this influential American master, wouldn't you?
Ken Burns, how about it ?









Thursday, July 12, 2012

Simplicissimus


I know, it sounds like one of those magic words from Bedknobs & Broomsticks.

Simplicissimus was a satirical German weekly magazine, that ran from 1896 until 1967, with a hiatus from 1944-1954. 
Many famous graphic artists contributed stunning illustrations with themes that commented on social/political issues of the times. You might have heard of Heinrich Kley, George Grosz and Kaethe Kollwitz, but other contributors were artists like the incredible Karl Arnold, Olaf Gulbransson and Edward Thoeny.
I just love looking at this kind of art. Whenever I am designing characters, and I catch myself falling back on to old formulas, I look at pages from Simplicissimus. The types of people represented in the illustrations are so rich in character, the designs are super inventive…no formulas here!
And do you know who else referred to these artists and admired them ? Our friend Joe Grant  from Disney. He collected the magazines when they were issued way back. I had many conversations with Joe about these graphic gems, we both found them very inspiring.

I am not including any text or commentary, just look at the quality of drawing, caricature and staging.
There are plenty of formulaic animated characters populating the screens today. I'd love to see inspired alternatives, wether they are based on a source like this one or any other graphic style, it's time to break the mold. An exciting prospect!

 Bruno Paul 1906

Olaf Gulbransson 1909

 Rudolf Wilke 1908

 Olaf Gulbransson 1908

 G. Hertting 1910

 Karl Arnold 1911

 Olaf Gulbransson 1905

 Blix 1907

 Olaf Gulbransson 1916

 Olaf Gulbransson 1916

 Karl Arnold 1924

 E. Thoeny 1920

 Karl Arnold 1921

 Karl Arnold 1922

 Olaf Gulbransson 1923

 Karl Arnold 1927

 Herbert Marxem 1929

 Karl Arnold 1930

Karl Arnold 1930

Thursday, January 26, 2017

By Grim Natwick

I have kept xeroxes of a few magazine articles written by the one and only Grim Natwick, such as this one, for a long time. I just can't remember exactly which magazine they are from, but I do believe it was a UK publication from the late 1970s.
In this edition Grim talks about Disney animators Ollie Johnston, Marc Davis (who assisted Grim on the character of Snow White) and Milt Kahl. He discusses some of their work as well as their individual hobbies.
I will post his other articles soon.
Terrific caricature of Milt Kahl by Richard Williams.









Tuesday, March 30, 2021

Rotoscoping

 Here is an early example of live action use for animation at Disney. All human characters in Snow White and the Seven Dwarfs relied on rotoscoping, except for the dwarfs. The more realistic a character concept, the more live action footage was used to help the animators get a nuanced performance on to the screen.

But rotoscoping is a tricky business. If not altered and interpreted by an animator, the result can be stiff and lifeless. Changes have to be made in order to portray these filmed performances for for graphic motion. A good animator will mess with the timing and proportions of the photostats.

Some of my favorite Disney characters who were successfully based on live action are Cruella de Vil and Roger and Anita Radcliff. Their design has various degrees of caricature, but the motion always feels reel.

Then there is Cinderella's Stepmother, a very realistic looking character based on live action, and she comes across as being very powerful.

Milt Kahl's comments about the use of live action cracks me up: "If you are going to have realistic animated human characters, I think the use of live action is necessary. If everybody on the picture was a Milt Kahl it wouldn't be necessary. But unfortunately they aren't."

Here is the Hunter from Snow White.







Tuesday, November 22, 2011

Madam Mim

Of all Disney animated classics, "The Sword in the Stone" was the last one I saw way back, in a re release in theaters. I was already an art student by then and appreciated beautiful design and animation.
When Madam Mim appeared on the screen I was blown away. There is great sophistication in her design, and her acting is fresh and full of life.
Walt Disney assigned Milt Kahl and Frank Thomas to this character, knowing that if you combine their creative forces, nothing but great stuff would come out.
Milt had perfected the way he drew hands in his animated scenes. The fingertips are squared off, and the fingernails are placed with realistic perspective. 
To give the design contrast, her body is kept short and chubby, her arms and legs are very thin and boney.
Both animators just loved working on Mim, and they agreed that there should have been more of her in the movie.
Milt's animation is full of inventive moves, like funky dance steps and hops. When Mim turns into a "beautiful" witch, her moves are almost risque.
Frank had a lot of fun with her dialogue scenes. His acting is eccentric, too, but it feels very believable and grounded.
Here is the first part of her intro in pencil test form.




These are a few of Milt's rough key drawings, beautiful and perfect.






Here you can see how Milt helped out with Mim drawings for a few Frank Thomas scenes. In doing this, graphic continuity was guaranteed.






These scans show you how Frank handled Madame Mim. His drawings are a mix of caricature, subtlety and realism. I have almost all rough drawings from this scene, where she comes up with her own rules for the Wizard's Duel (One of my all time favorites). 
I will add a few missing inbetweens myself and show the whole pencil test at a future post.






A gorgeous cel set up from the opening scene.