Friday, April 8, 2016
The Moviola
This film viewing contraption, called the Moviola, was in use at Disney for many decades, all the way into the 1980s. In the photo you see Ollie Johnston examining a 35 mm filmstrip, most likely a pencil test from one of his scenes for Bambi. By his side is Marian Darlington, who whistled imitations of every bird in the forest for the film.
The piece of film was viewed on a loop, allowing for a thorough inspection and search for mistakes.
Fast forward a few decades.
After about one year sketching character designs for The Black Cauldron, I moved into a different office in order to start animation. Clean up artist Rebecca had moved out of this office, but before I settled in, she had somewhat of a warning for me. She pointed out that the Moviola in this room used to belong to animator John Lounsbery (who had passed away a few years prior).
How cool, I said, that's fantastic.
But...according to Rebecca who had spent many late nights trying to help finish clean up on The Fox & the Hound, the Moviola's foot peddle occasionally went down by itself setting the machine in motion. She was dead serious.
I was really looking forward to encountering the ghost of Lounsbery, but despite some of my own late hours in the office, that never happened.
Tuesday, April 5, 2016
More Bongo
More pages from the 1947 edition of Bongo, beautifully illustrated by background painter Edgar Starr, who poured his heart and soul into these paintings.
Edgar Starr
Edgar Starr was one of Disney's background painters during the Golden Age of Animation. Among his credits are films like Pinocchio, Fantasia (see his develpoment piece above), Song of the South as well as Bongo from the feature Fun & Fancy Free.
Like most Disney background painters Starr was a prolific plain air artist on his own time. The following two paintings were created during his many trips to Mexico.
Edgar Starr was born in 1908 and died in 1971.
Starr's qualities as a painter are evident in these beautiful book illustrations from a 1947 edition of Bongo.
Sunday, April 3, 2016
Happy Birthday, Mary Costa!
Please, join me in wishing legendary opera star and voice of Sleeping Beauty, Mary Costa a Happy Birthday. Feel free to leave any congratulatory comments here, and I will get them to Mary's attention. Here is an open letter from Mary:
After my recent post on Sleeping Beauty I received the loveliest personal note from Mary, which I will treasure. Here is that post from January:
Thursday, March 31, 2016
Why this Scene Looks so Amazing
The dog characters in Lady & the Tramp were drawn extremely carefully. The design style called for dimensional realism like the film Bambi, years earlier. This is one of the most iconic scenes in Disney animation, and one of the most beloved. Many of you know that Frank Thomas animated this masterpiece. Two dogs falling in love while eating spaghetti with meatballs. It turned out to be one of those Thomas scenes that shows a kind of life that becomes detached from the animator. These characters live on their own, it seems no artist conceived any of this.
It is interesting to find out that the scene's overall brilliance was the result of teamwork. No question, this is Frank Thomas at his best, but he did get some drawing help from a couple of artists.
Iwao Takamoto had been Milt Kahl's assistant for a number of years, and he was able to absorb some of his boss' master draughtsmanship. On Lady & the Tramp he was put in charge of Lady, making sure that differing drawing styles by a number of animators would be unified in clean up, Iwao was not an animator, but he knew animation principles, and became a perfectionist when it came to bringing a character "on model". He paid insane attention to eyes, eye lids, eye lashes, and the raised volume around eye brows. Iwao's contribution to Lady's appealing look is immeasurable.
He made these drawings over some of Frank's keys as a guide for final clean up. I talked about sculpted drawings before, that's what these are.
Milt Kahl drew a few keys over Frank's roughs such as this one below. Ultimate appeal.
One of Frank's animation roughs for the iconic scene.
Walt Disney very much encouraged this type of team work in order to get superior results.
More about Iwao Takamoto and his work on the following feature Sleeping Beauty
in this post:
http://andreasdeja.blogspot.com/2014/01/iwao-takamoto.html
Wednesday, March 30, 2016
Lost in Translation
Story sketch artist James Bodrero came up with terrific designs for Fantasia's Pastoral sequence.
Particularly the male centaurs with their robust anatomy fit right into the greek mythological settings. Bodrero combined a Clydesdale horse with the upper body of a Greek warrior. These sketches are loose, and parts of the designs are unresolved, therefor not quite ready for animation. But the overall direction in terms of intriguing designs feels right.
By the time final animation models were needed, these centaurs had undergone an unfortunate transformation. Bodrero's solid draughtsmanship is nowhere to be seen. Instead, heavy simplification helped turn these guys into California beach boys (I am quoting from a film critic's observation after the film's release).
The movie's other fantasy creatures, the winged horses, work very well. But the centaurs never reached the design and animation standard they deserved.
Monday, March 28, 2016
Lambert
I really like this charming Disney short from 1952. Bill Peet was the main story artist on Lambert, the Sheepish Lion. Look at this beautiful nighttime scene above. Wether Pecos Bill, Peter Pan, Cinderella or other films, the night scenes always transported me to another world.
If I may be so blunt though, I do not find any "A" type animation in the short. Eric Larson and John Lounsbery are listed among the animators' credits, but no performance really stands out. It's the clever and emotional story that is the real star here.
A few cels featuring the main characters.
An early model sheet, no idea who drew it.
Milt Kahl didn't animate on the film., but he helped out with design and drawing. Here is an example from a previous post:
http://andreasdeja.blogspot.com/2011/06/milt-kahl-ii.html
Friday, March 25, 2016
Tiger Mom Attack
© Andreas Deja
A quick update on my film Mushka.
I just finished animating the sequence when Sarah encounters the tiger cub for the first time.
Obviously the cub's mother nearby isn't too happy about the human contact, she charges.
Above you see one of the key drawings, below is the first rough pass of the same drawing.
In tying down the pose I pushed the right shoulder because the weight is on that leg.
Another section I finished shows Sarah arriving in Siberia on a train, followed by meeting her father for the first time.
So thrilled to see how things are coming together. Also, proud to be able to animate scenes like this one, or shots with human characters without live action reference. I think I am close to 25 % animated.
Prepare to use some Kleenex when you'll see the final film. I still can't tell the film's story without getting teary eyed. This is a very personal project.
© Andreas Deja
Thursday, March 24, 2016
Heinrich Kley and Fantasia
It is no secret that the art of German Illustrator Heinrich Kley had a profound influence on Disney's Fantasia. Before the film went into full production, the head of the character model department, Joe Grant, showed Walt Disney newly published sketchbooks by the German artist. Walt was as exited as Joe about the potential for bringing elephants, alligators and hippos to life inspired by Kley's sensational drawings.
Kley's depiction of anthropomorphic animals is very realistic, yet entirely believable. If elephants could really ice scate or enjoy a day at the beach, it would look like this.
However in preparing models for animation some of the complex realism had to be compromised in order to give animators simplified forms and shapes which could be controlled 24 frames per second.
Disney artists enjoyed this assignment so much, the Dance of the Hours turned out to be one of the best things the studio has ever done - according to Ward Kimball. I couldn't agree more.
This scan of a Kley original from a previous post falls into the Fantasia category:
http://andreasdeja.blogspot.com/2014/03/three-nudes-and-hippo.html
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